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Set in post-WWII Leningrad as two female soldiers return from war and attempt to rebuild their lives in the ravaged city.
Content Consideration Warning: The struggles of post-war life can be as horrifying as war itself. BEANPOLE demonstrates those struggles in a brutal, honest fashion that can be hard to watch. This includes graphic depictions of PTSD episodes, suffocation, child death, and the sexual assault of multiple characters. Although its subject can be bleak or even devastating, BEANPOLE is a film of austere beauty about rising from the ashes of war and finding the courage to live.
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APRIL 2 – 9
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Jorge Amado’s seductive 1966 novel DONA FLOR AND HER TWO HUSBANDS has had many adaptations, including a Broadway musical and a Mexican telenovela, but none has endured like Bruno Barreto’s (meta)physical sex comedy, which reigned as Brazil’s all-time, top-grossing movie for over three decades—and was even remade in America as Kiss Me Goodbye with Sally Field, James Caan, and Jeff Bridges.
Leading lady Sônia Braga—on screen now in the acclaimed Bacurau—became an international star via her torrid performance as Dona Flor, who can’t resist the carnal charms of her philandering ne’er-do-well husband. After he drops dead, she remarries into a more stable union but when her late spouse reappears as a spirit, the flesh is all too willing to re-engage.
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MUST END APRIL 10
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Acclaimed Portuguese auteur Pedro Costa returns with another moody, masterful portrait of Lisbon’s Fontainhas neighborhood. Taking its title from the name of its lead — a Cape Verdean woman who plays a fictionalized version of herself — VITALINA VARELA follows its stoic heroine as she arrives in Lisbon to reunite with her husband, who had left their homeland 25 years ago to work in Portugal and died three days before Vitalina could reach him. Following its protagonist as she navigates the traces her husband left behind and encounters the other souls that haunt the crumbling tenements and alleys, VITALINA VARELA plays out as a series of burnished, painterly still lifes, rendering the nightmarish reality of the African diaspora and a harrowing legacy of violence as a dreamlike portrait of the living dead. “Demanding, rewarding, and ineffably stirring” (WSJ), Vitalina’s story is one of deeply concentrated beauty.
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EXTENDED TO APRIL 24
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Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.
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MARCH 27 – APRIL 2
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A passionate coming-of age tale set amidst the conservative confines of modern Tbilisi, AND THEN WE DANCED follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.
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ENDS THURSDAY
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When a former convict is sent to work in a remote village, he passes himself off as the town’s new priest. Anchored by the impressive performance of newcomer Bartosz Bielenia, this Academy Award nominee examines faith and redemption with dark humor and wit.
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MUST END THIS THURSDAY 4/2
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From acclaimed neo-noir director Diao Yinan comes a vibrantly colored, seedy crime epic set in China’s Wuhan (Pittsburgh sister city). This story of a man on the run from the law–complete with a femme fatale–bursts with thrills, eroticism, and expertly choreographed action.
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Their parents are dead. None of them can cry. What do kids with no family, no emotions, and no future do? Form a killer rock back, of course. On a quest to regain their feelings, the Little Zombies set out on an over-saturated, 8-bit adventure full of wacky songs and stirring empathy in this rainbow-colored scream into the void.
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Taking place in the sixteenth century, amidst the Japanese Civil Wars, is a tale of family and war, men with ambition, and their relationships that suffer as a result. Featuring a ghost story like no other!
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This richly layered masterpiece gives audiences a devastating look into the life of prostitutes in Tokyo’s Red Light District and how they are constantly challenged by the socioeconomic realities surrounding them.
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