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Kirk Douglas stars as a ruthless film producer clawing his way to the top of Hollywood. Told in flashback form, he is seen through the eyes of various acquaintances and people he’s wronged — including a talented writer, a fabulous movie star, and a rising director.

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Saim Sadiq’s film explores the many sides of love and desire in a patriarchal society. Gentle and timid, Haider lives with his wife Mumtaz(, his father, and his elder brother’s family in Lahore, Pakistan. Following a long spell of unemployment, he finally lands a job at a Bollywood-style burlesque, telling his family he is a theater manager, when in actuality, he is a backup dancer. As he acclimates to the new job, Haider becomes infatuated with the strong-willed trans woman Biba who runs the show—an unforeseen partnership that opens his eyes and ultimately his worldview, in ways both unexpected and intimate.

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Céline Sciamma’s slow burning love story is a rich period piece about a female painter On an isolated island in Brittany who is obliged to paint a wedding portrait of a young woman. Stunning cinematography and a heartbreaking plot make it one of the best modern pieces of queer cinema. 

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Tony Shalhoub and Stanley Tucci star in this charming food movie about two immigrant brothers trying to save their Italian restaurant in New Jersey in the 1950s. In a final effort to save the restaurant, the brothers plan to put on an evening of incredible food.

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There NEVER was a woman like Gilda!

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A man assumes the identity of a dead author to flee Nazi-occupied France in this modern existentialist noir. He soon finds himself stuck in Marseilles, where he falls in love with Maria — a young woman searching for her missing husband.

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This is probably the most obscure of the Carpenter picks for the week, but absolutely worth seeing in theaters! When an alien takes the form of a young widow’s husband and asks her to drive him from Wisconsin to Arizona, the government tries to stop them.

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In his feature film debut, the one and only Prince stars as Kid —  a musician on the…

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