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Reeling from a one-sided breakup, anguished Karen (Otmara Marrero) flees Los Angeles for her ex’s idyllic lake house in the Pacific Northwest. There, she becomes entangled with a mysterious, alluring younger woman (Sydney Sweeney), whom she cannot seem to resist. Equal parts psychological thriller and sexual coming-of-age story, CLEMENTINE is a tense rumination on who to love and how to let go.

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Blurring the lines between filmgoer and voyeur, LIBERTÉ is a singular cinematic experience about sexual and artistic freedom. Just before the French Revolution, a group of free-thinking libertines engage in a raucous night of pansexual one-upmanship in an attempt to explore pain, pleasure, and the erotic imagination.

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A darkly comic tale of violent revenge, eccentric fantasy and female rage, this bizarre revisionist fairytale takes 17th century folk-figures “Punch & Judy” in an entirely new direction. Done dealing with her husband’s drunken spirals, Judy decides it’s time someone else starts throwing the punches.

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NOW THROUGH MAY 21

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25th Anniversary 4K Restoration
One of the greatest achievements in art house cinema and a seminal work of “slow cinema,” Sátántangó, based on the book by László Krasznahorkai, follows members of a defunct agricultural collective living in a seemingly post-apocalyptic landscape in the long shadow of Communism who, on the heels of a large financial windfall, set out to leave their village. As a few of the villagers secretly conspire to take off with all of the earnings for themselves, a mysterious messianic character, long thought dead, returns to the village, altering the course of everyone’s lives forever.

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MUST END TODAY

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Impeccably acted and carefully directed, this bittersweet, little gem of a drama revolves around a single mother, her shy son, and the unlikely friendship forged with the gruff Korean War vet that lives next door.

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LAST DAY

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This daring, cross-genre film from director Bertrand Bonello (Nocturama) spans 1960s Haiti and a boarding school in contemporary France to tell a story of colonialism and cultural appropriation’s refusal to die.

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Set in post-WWII Leningrad as two female soldiers return from war and attempt to rebuild their lives in the ravaged city.

Content Consideration Warning: The struggles of post-war life can be as horrifying as war itself. BEANPOLE demonstrates those struggles in a brutal, honest fashion that can be hard to watch. This includes graphic depictions of PTSD episodes, suffocation, child death, and the sexual assault of multiple characters. Although its subject can be bleak or even devastating, BEANPOLE is a film of austere beauty about rising from the ashes of war and finding the courage to live.

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APRIL 2 – 9

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Jorge Amado’s seductive 1966 novel DONA FLOR AND HER TWO HUSBANDS has had many adaptations, including a Broadway musical and a Mexican telenovela, but none has endured like Bruno Barreto’s (meta)physical sex comedy, which reigned as Brazil’s all-time, top-grossing movie for over three decades—and was even remade in America as Kiss Me Goodbye with Sally Field, James Caan, and Jeff Bridges.

Leading lady Sônia Braga—on screen now in the acclaimed Bacurau—became an international star via her torrid performance as Dona Flor, who can’t resist the carnal charms of her philandering ne’er-do-well husband. After he drops dead, she remarries into a more stable union but when her late spouse reappears as a spirit, the flesh is all too willing to re-engage.

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